{"id":87091,"date":"2025-02-15T12:03:42","date_gmt":"2025-02-15T08:33:42","guid":{"rendered":"https:\/\/pixflow.net\/blog\/?p=87091"},"modified":"2026-02-24T09:22:09","modified_gmt":"2026-02-24T05:52:09","slug":"what-are-log-files-in-filmmaking-photography","status":"publish","type":"post","link":"https:\/\/pixflow.net\/blog\/what-are-log-files-in-filmmaking-photography\/","title":{"rendered":"What Are Log Files in Filmmaking &#038; Photography? A Complete Guide to Shooting, Recording, and Editing Log Footage"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">In the world of filmmaking and photography, capturing the highest quality footage is essential for achieving a professional look. However, many beginners struggle with understanding different recording formats, particularly log and raw files. If you&#8217;ve ever wondered about the difference between log vs raw or how shooting log can enhance your workflow, you&#8217;re in the right place.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Log files have become a staple for cinematographers and photographers who want maximum control over their images in post-production. These files are designed to preserve a wide dynamic range, allowing for greater flexibility in color grading and editing. Whether you&#8217;re new to log photography or looking to refine your skills, this guide will break down everything you need to know about log footage, from recording to post-processing.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;What Are Log Files&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">What Are Log Files?<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">At its core, a log file is a digital recording format that captures a flat, low-contrast image while retaining extensive details in both highlights and shadows. This unique characteristic allows professionals to manipulate the footage during color grading without losing quality. Log footage is often compared to RAW formats, but unlike RAW, log files are still compressed, making them more storage-friendly while retaining substantial flexibility in post-production.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In log photography, cameras record images using a logarithmic tone curve, which compresses highlights and shadows to fit within the camera&#8217;s dynamic range. This technique ensures that no details are lost in extreme lighting conditions, making log a preferred format for high-end filmmaking and photography.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you&#8217;re new to log formats and want to explore color grading techniques, you can check out<\/span><a href=\"https:\/\/pixflow.net\/color-luts\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\"> our library of LUT color grading presets<\/span><\/a><span style=\"font-weight: 400;\"> that can help you enhance your log footage efficiently.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Log vs Raw&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">Log vs Raw: Key Differences<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">Understanding the distinction between log vs raw is crucial for choosing the right format for your project. Both formats offer high-quality image capture, but they differ in flexibility, file size, and post-production requirements.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">RAW Footage: This format captures unprocessed sensor data, providing the highest quality but requiring extensive storage and processing power.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Log Footage: Log files are compressed while retaining a wide dynamic range, making them more manageable while still offering flexibility in color grading.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">A key advantage of log over raw is its ability to store more information in smaller file sizes, making it ideal for projects that require both quality and efficiency. If you&#8217;re unsure which color space suits your workflow, check out this detailed explanation on<\/span><a href=\"https:\/\/pixflow.net\/blog\/rec-709-color-space\/\" target=\"_blank\" rel=\"noopener\"> <span style=\"font-weight: 400;\">Rec. 709, a standard color space<\/span><\/a><span style=\"font-weight: 400;\"> considered as default in post-production workflows.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Why Shoot in Log&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">Why Shoot in Log?<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">Shooting in log provides several advantages, particularly for those who prioritize post-production flexibility. Here\u2019s why many professionals prefer shooting log:<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Wider Dynamic Range \u2013 Log footage retains more detail in highlights and shadows, making it easier to adjust exposure and contrast in editing.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Better Color Grading Flexibility \u2013 Since log files store a flat image profile, they allow for extensive color correction without degrading image quality.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Consistency Across Different Cameras \u2013 Using log ensures that footage from multiple cameras can be color-matched seamlessly in post-production.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Reduced Risk of Overexposure \u2013 By preserving highlight details, log shooting minimizes the chances of losing important information in bright areas.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">If you&#8217;re looking to fine-tune your log shooting workflow, this guide on the<\/span><a href=\"https:\/\/pixflow.net\/blog\/difference-between-raw-log-and-rec-709-camera-footage\/\" target=\"_blank\" rel=\"noopener\"> <span style=\"font-weight: 400;\">difference between raw, log, and Rec. 709 camera footage<\/span><\/a><span style=\"font-weight: 400;\"> provides essential insights into how log compares to other formats.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Popular Log Formats in Filmmaking&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">Popular Log Formats in Filmmaking<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">Several log formats are widely used in the filmmaking industry, each developed by different camera manufacturers to optimize image capture. Here are some of the most popular ones:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">S-Log (Sony) \u2013 Found in Sony cameras, S-Log offers extended dynamic range and is ideal for professional color grading.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">D-Log (DJI) \u2013 Designed for aerial and drone footage, D-Log maximizes highlight retention in high-contrast environments.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">C-Log (Canon) \u2013 Canon\u2019s log profile enhances post-production flexibility and is well-suited for cinematic footage.<\/span><\/li>\n<\/ul>\n<p><strong>Canon Log 2 vs Canon Log 3: Choosing the Right Profile<\/strong><\/p>\n<p>Canon offers two main log gamma options, each suited to different workflow priorities:<\/p>\n<ul>\n<li><strong>Canon Log 2<\/strong> provides a larger dynamic range and captures more image detail in highlights and shadows, giving you maximum flexibility in post-production. The trade-off is that it requires more time and effort in color correction and grading to bring the flat footage to life.<\/li>\n<li><strong>Canon Log 3<\/strong> offers a slightly reduced dynamic range (approximately 14 stops) but produces footage that is easier and faster to grade, making it a practical choice when post-production turnaround is a priority.<\/li>\n<\/ul>\n<p>Canon cinema cameras like the EOS C500 Mark II also support <strong>on-camera custom LUT loading<\/strong>, controlled via dedicated buttons, so you can preview your intended look while shooting in log. Combined with <strong>10-bit 4:2:2 internal recording<\/strong>, this gives filmmakers a powerful, flexible pipeline from capture to final grade.<\/p>\n<p><!-- notionvc: 38e67b66-4bd6-428a-bbc4-6306d4088ce5 --><span style=\"font-weight: 400;\">Each log format video has its strengths, making it important to choose the right one based on your camera system and intended post-processing workflow. Understanding these formats is key to ensuring compatibility and achieving the best results in your footage.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Practical Tips for Shooting in Log&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">Practical Tips for Shooting in Log<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">Shooting in log can be challenging for beginners due to its flat and low-contrast appearance. Here are some essential tips to help you get the best results:<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Expose to the Right (ETTR) \u2013 Slightly overexpose your footage without clipping highlights to minimize noise and retain details.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Use an External Monitor \u2013 A monitor with built-in LUT support can help you visualize how the final graded footage will look.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Adjust White Balance Carefully \u2013 Since log files require significant color grading, setting the correct white balance in-camera can save time in post-production.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Utilize a Color Checker \u2013 A color checker ensures accurate color representation, making it easier to correct in post.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">For more insight into color correction and grading, explore<\/span><a href=\"https:\/\/pixflow.net\/color-luts\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\"> our library, a useful resource filled with LUT presets<\/span><\/a><span style=\"font-weight: 400;\"> that can enhance your log format workflow.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Post Production Workflow for Log Footage&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">Post Production Workflow for Log Footage<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">Processing log footage in post-production is essential to achieving the desired cinematic look. Since log files appear flat and desaturated, they require careful color grading to bring them to life. Here\u2019s a step-by-step guide to handling log footage:<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Apply a LUT (Look-Up Table) \u2013 Start by using a conversion LUT to transform log footage into a more natural-looking image. Many professionals use Rec. 709 LUTs as a base.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Color Correct Before Grading \u2013 Adjust white balance, exposure, and contrast before applying creative color grading.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Use Professional Editing Software \u2013 Programs like DaVinci Resolve, Adobe Premiere Pro, and Final Cut Pro offer excellent log color grading tools.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Fine-Tune Highlights and Shadows \u2013 Since log preserves a high dynamic range, carefully adjusting shadows and highlights ensures a balanced look.<\/span><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>S-Log Basic Correction in Premiere Pro (Lumetri Color)<\/strong><\/p>\n<p>When working with S-Log footage specifically, here\u2019s a slider-by-slider walkthrough for the <strong>Basic Correction<\/strong> panel in Lumetri Color:<\/p>\n<ol>\n<li><strong>Contrast<\/strong> \u2014 Increase moderately. S-Log is extremely flat by design, so adding contrast is always the first move<\/li>\n<li><strong>Highlights<\/strong> \u2014 Crank them up to restore brightness and life to the image<\/li>\n<li><strong>Shadows<\/strong> \u2014 Lower to add depth and separation in darker areas<\/li>\n<li><strong>Whites<\/strong> \u2014 Lower to tame overexposure (especially useful for outdoor scenes with direct sunlight)<\/li>\n<li><strong>Blacks<\/strong> \u2014 <em>Leave alone.<\/em> This is unique to S-Log: adjusting the Blacks slider typically does not help and can introduce unwanted artifacts on Sony log files<\/li>\n<li><strong>Saturation<\/strong> \u2014 Increase to taste based on the composition and mood of your footage<\/li>\n<li><strong>Exposure<\/strong> \u2014 Only touch this when absolutely needed. It\u2019s better to fix exposure issues with the sliders above rather than the global Exposure control<\/li>\n<\/ol>\n<p><em>This sequence gives you a corrected, balanced image before moving on to creative grading with Color Wheels, Curves, or LUTs.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><!-- notionvc: 70059b98-165e-4a23-8096-ec937f75d56a --><strong>Color Wheel Luminance Technique for Cinematic Contrast<\/strong><\/p>\n<p>After your initial correction and grading passes, use the <strong>Color Wheels panel<\/strong> (available in Premiere Pro&#8217;s Lumetri Color and DaVinci Resolve) as a finishing move for cinematic contrast:<\/p>\n<ol>\n<li><strong>Lower midtone luminance<\/strong> \u2014 Push the midtone wheel&#8217;s luminance slider down slightly to deepen the body of the image and add richness<\/li>\n<li><strong>Lower shadow luminance<\/strong> \u2014 Pull shadow luminance down to create deeper blacks without crushing detail<\/li>\n<li><strong>Increase highlight luminance<\/strong> \u2014 Raise the highlight wheel&#8217;s luminance to make bright areas pop and create separation<\/li>\n<\/ol>\n<p>This three-wheel luminance adjustment creates a natural contrast curve that feels more cinematic than simply pushing the contrast slider. It works especially well on S-Log footage, where the flat starting point gives you room to sculpt the tonal range without clipping.<\/p>\n<p><em>Pro tip: Make small adjustments \u2014 even 5\u201310 units on each wheel can dramatically change the feel of your grade. Monitor your Lumetri Scopes to ensure highlights stay below 100 and shadows don&#8217;t crush to pure black.<\/em><!-- notionvc: 2113ef9f-09d0-4f26-988e-030091e0a3de --><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Curves Panel: Sculpting Highlights and Shadows for Log Footage<\/strong><\/p>\n<p>After your Basic Correction and Color Wheels passes, the <strong>Curves panel<\/strong> in Lumetri Color gives you precise, point-based control over the tonal range of your S-Log footage:<\/p>\n<ol>\n<li><strong>Highlights (top of the curve)<\/strong> &#8211; Pull the top-right area of the curve up to brighten highlights, or down to tame them. This is useful for fine-tuning bright areas that the Basic Correction sliders could not fully address<\/li>\n<li><strong>Shadows (bottom of the curve)<\/strong> &#8211; Adjust the lower-left area to deepen or lift shadows. Pulling down adds richness; pulling up recovers shadow detail<\/li>\n<li><strong>Midtone contrast (middle of the curve)<\/strong> &#8211; Create an S-curve by lifting the upper-mid and lowering the lower-mid to add contrast selectively, without affecting the extreme highlights or shadows<\/li>\n<\/ol>\n<p>The advantage of Curves over the contrast slider is precision: you can target specific tonal zones independently rather than applying a blanket contrast adjustment across the entire image.<\/p>\n<p><em>Pro tip: Use the RGB channels in the Curves panel to address color casts in specific tonal ranges. For example, if shadows have a blue tint from S-Log, switch to the Blue channel and pull down the shadow region slightly to neutralize it.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><!-- notionvc: 66bc7e41-1871-48b4-8d44-19e2d0c8f659 --><strong>Creative Polish: Sharpening &amp; Vibrance on S-Log Footage<\/strong><\/p>\n<p>As a final step before export, apply light creative polish \u2014 but handle S-Log footage with care:<\/p>\n<ul>\n<li><strong>Sharpening<\/strong> \u2014 S-Log&#8217;s flat profile amplifies sharpening artifacts. Use a <em>gentle<\/em> amount (e.g., 30\u201350 in Lumetri&#8217;s Sharpen slider) and pair it with a mask or the Detail section in DaVinci Resolve to avoid over-sharpening noise in shadows.<\/li>\n<li><strong>Vibrance over Saturation<\/strong> \u2014 Instead of boosting overall Saturation (which can blow out skin tones), add a small bump of <strong>Vibrance<\/strong> (+10 to +20). Vibrance selectively boosts muted colors while protecting already-saturated hues, giving S-Log footage a natural richness without the oversaturated look.<\/li>\n<\/ul>\n<p><em>Apply these after your color wheels and grading passes \u2014 they are finishing touches, not corrections.<\/em><\/p>\n<p><!-- notionvc: 7e705979-62f5-49d1-9730-666c73d9e6c5 -->[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Log Files in Photography&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">Log Files in Photography<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">While log photography is less common than log video, it plays an important role in RAW image processing and HDR workflows. Many high-end cameras offer logarithmic tone curves for still photography, allowing for greater control over exposure and color.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Key Differences Between Log for Video and Photography:<\/span><\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Video Log \u2013 Captures a compressed, low-contrast image that needs color grading.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Photo Log \u2013 Typically refers to RAW log photos, which retain full sensor data for extensive post-processing.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Photographers who shoot in log benefit from increased color depth, more shadow details, and better highlight retention. However, it requires careful exposure settings to avoid excessive noise or banding.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Common Challenges with Log Files&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">Common Challenges with Log Files<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">While log footage offers many benefits, it also comes with some challenges that filmmakers and photographers need to address:<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Flat-Looking Footage \u2013 Since log files capture a low-contrast image, beginners often find it difficult to visualize the final look before grading.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Noise in Shadows \u2013 Shooting in log, especially with lower-end cameras, can introduce unwanted noise in darker areas.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Incorrect Exposure Issues \u2013 Log requires precise exposure settings. Underexposure can lead to excessive noise, while overexposure might result in highlight clipping.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Color Grading Complexity \u2013 Compared to standard profiles, grading log footage takes more effort, requiring LUTs and professional editing techniques.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">To overcome these challenges, use tools like waveform monitors and camera logging settings to ensure correct exposure while filming. Additionally, utilizing noise reduction in post-production can help refine the final image.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">Conclusion<\/span><\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<span style=\"font-weight: 400;\">Log files play a crucial role in filmmaking and photography, providing professionals with unmatched flexibility in post-production. Shooting log, or mastering log photography, and understanding the strengths and challenges of log footage is essential to achieving cinematic-quality visuals.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By carefully managing exposure, utilizing LUTs, and refining the log recording workflow, creatives can unlock the full potential of their footage. Don\u2019t be afraid to experiment with different log profiles and grading techniques to find the best approach for your projects.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221;]In the world of filmmaking and photography, capturing the highest quality footage is essential for achieving a professional look. However, many beginners struggle with understanding different recording formats, particularly log and raw files. If you&#8217;ve ever wondered about the difference between log vs raw or how shooting log can enhance your [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":87097,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[131,70],"tags":[537,348,533,418,574,575,357,598,602,600,601,596,530,599,597],"class_list":["post-87091","post","type-post","status-publish","format-standard","hentry","category-color-grading","category-filmmaking","tag-cinematic-colors","tag-color-grading","tag-color-in-film","tag-color-space","tag-color-storytelling","tag-film-coloring","tag-filmmaking","tag-log-footage","tag-log-format-video","tag-log-photography","tag-log-video","tag-log-vs-raw","tag-movie-color","tag-raw-log-photos","tag-shooting-log"],"acf":[],"_links":{"self":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/87091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/comments?post=87091"}],"version-history":[{"count":14,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/87091\/revisions"}],"predecessor-version":[{"id":91029,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/87091\/revisions\/91029"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/media\/87097"}],"wp:attachment":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/media?parent=87091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/categories?post=87091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/tags?post=87091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}