{"id":91192,"date":"2026-03-27T14:07:42","date_gmt":"2026-03-27T10:37:42","guid":{"rendered":"https:\/\/pixflow.net\/blog\/?p=91192"},"modified":"2026-03-29T12:59:48","modified_gmt":"2026-03-29T09:29:48","slug":"color-space-for-youtube-instagram-and-tiktok-exports","status":"publish","type":"post","link":"https:\/\/pixflow.net\/blog\/color-space-for-youtube-instagram-and-tiktok-exports\/","title":{"rendered":"Best Color Space for YouTube, Instagram, and TikTok Exports"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;.vc_custom_1773572503604{margin-bottom: 25px !important;}&#8221;]If you have ever exported a video that looked perfect in your editor but showed up darker, flatter, or oddly saturated on your phone, you have already learned the most important rule of color for social platforms: the platform is part of your pipeline.<\/p>\n<p>This guide explains how to choose a color space and export settings that survive real world playback on YouTube, Instagram, and TikTok. It is intentionally practical and analytical, not a list of magic presets, because the best choice depends on what you shot, how you graded, and what devices your audience uses.<\/p>\n<h3>The short answer (so you can ship)<\/h3>\n<p>For most creators, the best default export target is:<\/p>\n<ul>\n<li>SDR (standard dynamic range)<\/li>\n<li>Rec.709 primaries (gamut)<\/li>\n<li>A Rec.709 transfer function (gamma) that aligns with typical web and phone viewing<\/li>\n<li>Consistent levels, and a deliberate choice between full range and legal range<\/li>\n<\/ul>\n<p>You can absolutely deliver HDR in 2026, but it is a separate finishing path with more ways to fail. If you cannot test, or you need maximum consistency across platforms, SDR Rec.709 remains the safest baseline.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1766995823024{margin-top: 50px !important;}&#8221;][vc_column][px_product_grid_remote px_product_grid_remote_ids=&#8221;115571,113292,113071,112891&#8243;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Key concepts&#8221;]<\/p>\n<h2>Key concepts (quick definitions)<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1773571273201{margin-bottom: 25px !important;}&#8221;]<\/p>\n<h3>What a color space actually means<\/h3>\n<p>When people say \u201ccolor space,\u201d they often mean three different things at once:<\/p>\n<ol>\n<li>Primaries (gamut): the triangle of colors you are allowed to represent<\/li>\n<li>Transfer function (gamma): how code values map to brightness<\/li>\n<li>Levels (range): what numeric values represent black and white<\/li>\n<\/ol>\n<p>If any one of these is mismatched between your edit, export, upload, and playback, you get the classic social video problems: \u201cwashed out,\u201d \u201ctoo dark,\u201d or \u201ccolors look off.\u201d<\/p>\n<h3>SDR vs HDR, and what platforms actually do<\/h3>\n<ul>\n<li>SDR is the default assumption for most social feeds, and the most reliable when you care about consistency.<\/li>\n<li>HDR can look great on HDR capable devices, but it introduces tone mapping. Tone mapping is a creative reinterpretation of your highlights and midtones, and different devices apply it differently.<\/li>\n<li>Even if a platform supports HDR, the user may be watching in SDR mode, on an SDR display, or in an app that forces a conversion.<\/li>\n<\/ul>\n<p>The takeaway: HDR is not just \u201cmore quality.\u201d It is a different delivery format with different rules.<\/p>\n<h3>The role of color management in your NLE<\/h3>\n<p>Color management is the system that translates between:<\/p>\n<ul>\n<li>input color space (what the camera recorded)<\/li>\n<li>timeline color space (what you grade inside)<\/li>\n<li>output color space (what you deliver)<\/li>\n<\/ul>\n<p>Modern NLEs can handle this automatically, but only if you set the project correctly. A viewer that looks correct does not guarantee the file is tagged correctly, and tagging matters because many platforms and devices rely on metadata to interpret gamma and primaries.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Platform realities&#8221;]<\/p>\n<h2>Platform realities (what the apps and devices do)<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<\/p>\n<h3>YouTube<\/h3>\n<p>YouTube is the most forgiving platform for color accuracy, mainly because:<\/p>\n<ul>\n<li>it supports a wide range of upload formats and bitrates<\/li>\n<li>it is often viewed in a browser or YouTube app with relatively consistent playback<\/li>\n<li>HDR workflows are most mature here compared to other social apps<\/li>\n<\/ul>\n<p>Still, YouTube transcodes everything. Your job is to feed it a master that is clean, correctly tagged, and robust to compression.<\/p>\n<h3>Instagram<\/h3>\n<p>Instagram is less predictable because:<\/p>\n<ul>\n<li>Reels, Stories, and feed video can be processed differently<\/li>\n<li>compression is aggressive<\/li>\n<li>phone display features (True Tone, Night Shift, adaptive brightness) are common<\/li>\n<\/ul>\n<p>Common Instagram complaints:<\/p>\n<ul>\n<li>shadows look crushed (blacks lose detail)<\/li>\n<li>mids look darker than expected<\/li>\n<li>reds and skin tones shift or feel overcooked after compression<\/li>\n<\/ul>\n<h3>TikTok<\/h3>\n<p>TikTok is the most \u201ccompression forward\u201d environment of the three:<\/p>\n<ul>\n<li>heavy compression can break gradients and subtle color transitions<\/li>\n<li>dark scenes suffer easily, and so do very saturated colors<\/li>\n<li>the audience is overwhelmingly on phones, which means you are competing with variable viewing conditions and display settings<\/li>\n<\/ul>\n<p>If your video has soft gradients, fog, vignettes, or smooth skies, TikTok is where you will notice banding first.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Recommended export targets&#8221;]<\/p>\n<h2>Recommended export targets (decision based)<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1773571416342{margin-bottom: 25px !important;}&#8221;]<\/p>\n<h3>Default safest choice for most creators<\/h3>\n<p>If you want the highest probability of \u201clooks the same everywhere,\u201d use an SDR Rec.709 delivery.<\/p>\n<ul>\n<li>Primaries: Rec.709<\/li>\n<li>Transfer function: Rec.709 (practically, treat it as \u201cSDR web\/phone\u201d gamma)<\/li>\n<li>Bit depth: 10-bit if your pipeline supports it, otherwise a very clean 8-bit with enough bitrate<\/li>\n<li>Range: be intentional (more on this below)<\/li>\n<\/ul>\n<p>This is not conservative because it is old. It is conservative because it matches the lowest common denominator across phones, apps, and transcodes.<\/p>\n<h3>When to consider HDR exports<\/h3>\n<p>HDR exports make sense if:<\/p>\n<ul>\n<li>your footage is HDR (or wide dynamic range) and you want to preserve highlight detail<\/li>\n<li>your audience is likely to watch on HDR devices (newer phones and TVs)<\/li>\n<li>you can test on at least one HDR phone and one SDR device<\/li>\n<li>you can accept that some viewers will see an SDR tone mapped version<\/li>\n<\/ul>\n<p>If you cannot test, HDR is a \u201csurprise generator.\u201d<\/p>\n<h3>A simple decision tree<\/h3>\n<ol>\n<li>Is the project intended to be viewed as HDR?<\/li>\n<li>Is the majority of the audience on HDR capable displays?<\/li>\n<li>Can you test on at least one HDR phone and one SDR device?<\/li>\n<li>If any answer is no, deliver SDR Rec.709<\/li>\n<\/ol>\n<p>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;What best color space means for social&#8221;]<\/p>\n<h2>What \u201cbest color space\u201d means for social<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1773571460639{margin-bottom: 25px !important;}&#8221;]Instead of hunting for the one best color space, you want the best match between:<\/p>\n<ul>\n<li>your mastering environment (how you grade)<\/li>\n<li>the platform\u2019s interpretation (how it tags and transcodes)<\/li>\n<li>the viewer\u2019s device (how it tone maps and displays)<\/li>\n<\/ul>\n<p>In practice, \u201cbest\u201d usually means \u201cleast likely to shift.\u201d[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;A practical mapping of common delivery options&#8221;]<\/p>\n<h2>A practical mapping of common delivery options<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1773571493407{margin-bottom: 25px !important;}&#8221;]Here is a high level comparison to make tradeoffs clearer.[\/vc_custom_heading][vc_wp_text]\n<table id=\"tablepress-7\" class=\"tablepress tablepress-id-7\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\"><strong>Delivery Target<\/strong><\/th><th class=\"column-2\"><strong>Good For<\/strong><\/th><th class=\"column-3\"><strong>Risks<\/strong><\/th><th class=\"column-4\"><strong>Recommendation<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">SDR Rec.709<\/td><td class=\"column-2\">Maximum consistency across YouTube, Instagram, TikTok<\/td><td class=\"column-3\">Less highlight range than HDR, possible minor gamma differences across apps<\/td><td class=\"column-4\">Best default for most creators<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">P3 (Display P3)<\/td><td class=\"column-2\">Specific controlled pipelines, some Apple-centric workflows<\/td><td class=\"column-3\">Wide gamut misinterpretation, oversaturation on some devices, unpredictable conversions<\/td><td class=\"column-4\">Avoid unless you fully control color management and testing<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Rec.2020 (HDR container)<\/td><td class=\"column-2\">HDR mastering and delivery, especially for YouTube<\/td><td class=\"column-3\">Tone mapping differences, SDR fallback inconsistency, and metadata sensitivity.<\/td><td class=\"column-4\">Use only with an HDR finishing workflow and testing<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-7 from cache -->[\/vc_wp_text][vc_custom_heading css=&#8221;.vc_custom_1773571518695{margin-bottom: 25px !important;}&#8221;]<strong>A key insight:<\/strong> wide gamut is not \u201cbetter\u201d by default. If the platform or device converts it incorrectly, you can get worse results than a clean Rec.709 export.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Levels full vs legal&#8221;]<\/p>\n<h2>Levels: full vs legal (why this matters more than you think)<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]Levels are about what code values represent black and white.<\/p>\n<ul>\n<li>Full range (0 to 255 in 8-bit terms): common in computer graphics and many NLE exports<\/li>\n<li>Legal range (16 to 235 in 8-bit terms): common in broadcast and some video pipelines<\/li>\n<\/ul>\n<p>If you export in one range but the platform assumes the other, you will see:<\/p>\n<ul>\n<li>crushed blacks (if legal is treated as full)<\/li>\n<li>washed out contrast (if full is treated as legal)<\/li>\n<\/ul>\n<p>The best practice is not \u201calways full\u201d or \u201calways legal.\u201d The best practice is \u201cbe consistent end to end,\u201d and verify what your export settings actually write.<\/p>\n<p>If you are unsure and you are delivering to social platforms, many creators prefer full range for web-first delivery, but you must ensure your NLE tags it correctly and that you do not add an extra conversion on upload.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;How to avoid surprises&#8221;]<\/p>\n<h2>Workflow: how to avoid surprises<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1773572697876{margin-bottom: 25px !important;}&#8221;]<\/p>\n<h3>Step 1: Set up a reliable monitoring environment<\/h3>\n<p>Your eyes will lie to you if:<\/p>\n<ul>\n<li>your display brightness changes automatically<\/li>\n<li>your phone has True Tone or Night Shift enabled<\/li>\n<li>you grade at night and export for a daytime mobile audience<\/li>\n<\/ul>\n<p>Practical checklist:<\/p>\n<ul>\n<li>disable True Tone and Night Shift while evaluating exports<\/li>\n<li>set a consistent brightness when reviewing<\/li>\n<li>if possible, compare on at least two devices (one iPhone class display, one Android class display, or one phone plus one laptop)<\/li>\n<\/ul>\n<h3>Step 2: Manage footage correctly<\/h3>\n<p>Identify what you shot:<\/p>\n<ul>\n<li>standard Rec.709<\/li>\n<li>log (S-Log, V-Log, C-Log, etc.)<\/li>\n<li>HDR formats (HLG, PQ)<\/li>\n<\/ul>\n<p>Then apply the correct input transform. If log is treated as Rec.709 or vice versa, you can \u201cfix it by eye\u201d but your pipeline becomes fragile and harder to predict when exported and transcoded.<\/p>\n<h3>Step 3: Choose the right timeline settings<\/h3>\n<p>For most social delivery:<\/p>\n<ul>\n<li>grade in a Rec.709 SDR timeline, with correct input transforms<\/li>\n<li>keep your highlights and saturation in a range that survives compression<\/li>\n<\/ul>\n<p>Choose an HDR timeline only when you truly intend HDR delivery, otherwise you will fight tone mapping and metadata.<\/p>\n<h3>Step 4: Export settings that matter<\/h3>\n<p>Most export settings are not about \u201cmore quality,\u201d they are about \u201cless damage after transcoding.\u201d<\/p>\n<ul>\n<li>Codec: H.264 is widely compatible, H.265 can preserve quality at lower bitrate but is more complex for some workflows<\/li>\n<li>Bitrate: too low increases banding and macroblocking, too high often gets ignored because platforms re-encode anyway<\/li>\n<li>Bit depth: 10-bit can protect gradients, especially if your source and pipeline are 10-bit<\/li>\n<\/ul>\n<p>Chroma subsampling matters, but not in the way many expect. The platform will usually convert. Your priority is to give it a clean file with stable gradients and avoid pushing extreme saturation in small areas.<\/p>\n<h4>Mini chart: what usually breaks first on each platform<\/h4>\n<p>[\/vc_custom_heading][vc_wp_text]\n<table id=\"tablepress-6\" class=\"tablepress tablepress-id-6\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\"><strong>Platform<\/strong><\/th><th class=\"column-2\"><strong>Most Common Visible Issue<\/strong><\/th><th class=\"column-3\"><strong>What Triggers It<\/strong><\/th><th class=\"column-4\"><strong>What To Do<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">YouTube<\/td><td class=\"column-2\">Gamma mismatch reports (looks slightly different)<\/td><td class=\"column-3\">Incorrect tags, mixed pipeline, inconsistent monitoring<\/td><td class=\"column-4\">Stick to SDR Rec.709; validate after upload<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Instagram<\/td><td class=\"column-2\">Crushed shadows or darker mids<\/td><td class=\"column-3\">Very contrasty grades, range confusion, phone viewing conditions<\/td><td class=\"column-4\">Lift shadows slightly, avoid near-black detail, test in<br \/>\napp<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">TikTok<\/td><td class=\"column-2\">Banding in gradients<\/td><td class=\"column-3\">Low bitrate, smooth gradients, heavy effects, dark scenes<\/td><td class=\"column-4\">Increase bitrate moderately, reduce extreme gradients, use subtle noise\/dither<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-6 from cache -->[\/vc_wp_text][vc_custom_heading css=&#8221;.vc_custom_1773571843916{margin-bottom: 25px !important;}&#8221;]<\/p>\n<h3>Step 5: Validate after upload<\/h3>\n<p>Never judge by local playback alone.<\/p>\n<p>A reliable method:<\/p>\n<ol>\n<li>export a 10 to 20 second test clip with difficult material (skin tones, gradients, shadows, saturated reds)<\/li>\n<li>upload privately or unlisted<\/li>\n<li>watch on the actual target app and device<\/li>\n<li>compare against your NLE viewer with the same viewing conditions<\/li>\n<\/ol>\n<p>Look for:<\/p>\n<ul>\n<li>black detail (does it crush?)<\/li>\n<li>highlight rolloff (does it clip?)<\/li>\n<li>skin tones (do they shift?)<\/li>\n<li>brand colors (do they drift?)<\/li>\n<li>gradients (do they band?)<\/li>\n<\/ul>\n<p>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Common problems and fixes&#8221;]<\/p>\n<h2>Common problems and fixes<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<\/p>\n<h3>Problem: video looks washed out<\/h3>\n<p>Typical causes:<\/p>\n<ul>\n<li>wrong gamma tagging<\/li>\n<li>double transforms (you converted to Rec.709, then the app converts again)<\/li>\n<li>viewing in an unmanaged player while grading in a managed viewer<\/li>\n<\/ul>\n<p>Fix checklist:<\/p>\n<ul>\n<li>confirm timeline and export color space match your intent<\/li>\n<li>avoid stacking multiple \u201cRec.709\u201d conversions (LUT plus output transform)<\/li>\n<li>export a test file and check in multiple players<\/li>\n<\/ul>\n<h3>Problem: video looks too dark<\/h3>\n<p>Typical causes:<\/p>\n<ul>\n<li>mastering in a dim environment, then viewing on bright phones<\/li>\n<li>platform conversion or tone mapping<\/li>\n<li>mismatch between your intended gamma and the device\u2019s interpretation<\/li>\n<\/ul>\n<p>Fix checklist:<\/p>\n<ul>\n<li>compare in the target app on a phone<\/li>\n<li>slightly lift midtones and shadows for social delivery if needed<\/li>\n<li>avoid placing important detail in near-black values<\/li>\n<\/ul>\n<h3>Problem: colors shift (especially reds and skin)<\/h3>\n<p>Typical causes:<\/p>\n<ul>\n<li>wide gamut sources not converted properly<\/li>\n<li>exporting in P3 or Rec.2020 without a controlled pipeline<\/li>\n<li>heavy compression exaggerating saturation<\/li>\n<\/ul>\n<p>Fix checklist:<\/p>\n<ul>\n<li>convert wide gamut sources into Rec.709 for SDR deliverables<\/li>\n<li>watch for reds, oranges, and magentas, they are the first to break<\/li>\n<li>reduce saturation in the most saturated regions before export<\/li>\n<\/ul>\n<h3>Problem: banding in gradients<\/h3>\n<p>Typical causes:<\/p>\n<ul>\n<li>low bitrate<\/li>\n<li>8-bit export of a smooth gradient heavy scene<\/li>\n<li>aggressive compression plus heavy effects<\/li>\n<\/ul>\n<p>Fix checklist:<\/p>\n<ul>\n<li>use adequate bitrate for the master<\/li>\n<li>consider 10-bit export when possible<\/li>\n<li>add subtle noise or dither in the grade to break up perfect gradients<\/li>\n<\/ul>\n<p>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221; el_id=&#8221;Practical recommendations by creator type&#8221;]<\/p>\n<h2>Practical recommendations by creator type<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]<\/p>\n<h3>Fast social workflow (speed first)<\/h3>\n<ul>\n<li>Grade in an SDR Rec.709 timeline<\/li>\n<li>Export SDR Rec.709 consistently<\/li>\n<li>Avoid extreme blacks and extreme saturation<\/li>\n<li>Upload a short test clip when you change cameras, plugins, or export presets<\/li>\n<\/ul>\n<p>This is the workflow that keeps you shipping without chasing color ghosts.<\/p>\n<h3>Quality focused workflow (consistency first)<\/h3>\n<ul>\n<li>Use a color managed pipeline end to end<\/li>\n<li>Treat your monitoring environment as part of the deliverable<\/li>\n<li>Maintain two export presets:\n<ul>\n<li>one for YouTube (long form, cleaner compression)<\/li>\n<li>one for Instagram and TikTok (more robust to aggressive compression)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;&#8221;]<\/p>\n<h2>Conclusion<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;&#8221;]If you want a single best choice for YouTube, Instagram, and TikTok exports, choose SDR Rec.709 and build a consistent pipeline around it. Then validate after upload with a short test clip. That simple habit solves more \u201cwhy does it look different\u201d issues than any secret export preset ever will.<\/p>\n<p>Once you find a combination that holds up on your devices in the real apps, save it as a preset and stop re-solving the same problem on every project.[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1734342908250{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;.vc_custom_1773572503604{margin-bottom: 25px !important;}&#8221;]If you have ever exported a video that looked perfect in your editor but showed up darker, flatter, or oddly saturated on your phone, you have already learned the most important rule of color for social platforms: the platform is part of your pipeline. This guide explains how to [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":91205,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[131],"tags":[418,2580,2579,2578,2581,1260],"class_list":["post-91192","post","type-post","status-publish","format-standard","hentry","category-color-grading","tag-color-space","tag-instagram","tag-social-media-export-video","tag-social-platforms","tag-tiktok","tag-youtube"],"acf":[],"_links":{"self":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/91192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/comments?post=91192"}],"version-history":[{"count":11,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/91192\/revisions"}],"predecessor-version":[{"id":91361,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/91192\/revisions\/91361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/media\/91205"}],"wp:attachment":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/media?parent=91192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/categories?post=91192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/tags?post=91192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}