{"id":94175,"date":"2026-09-23T13:21:44","date_gmt":"2026-09-23T09:51:44","guid":{"rendered":"https:\/\/pixflow.net\/blog\/?p=94175"},"modified":"2026-09-23T15:17:28","modified_gmt":"2026-09-23T11:47:28","slug":"recover-deleted-videos-sd-card","status":"publish","type":"post","link":"https:\/\/pixflow.net\/blog\/recover-deleted-videos-sd-card\/","title":{"rendered":"How to Recover Deleted Videos From an SD Card or Memory Card"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;.vc_custom_1790162353850{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Deleted the wrong take in-camera, formatted a card after a shoot, or found a missing clip during ingest? You may still be able to recover deleted videos from an SD card if the card has not been reused.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Below, we walk through how to recover deleted videos from an SD card in the order that protects the footage, and explain why camera files break in ways photos don&#8217;t.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740369346{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;What Decides Whether SD Card Video Recovery Works&#8221;]<\/p>\n<h2>What Decides Whether SD Card Video Recovery Works<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1790162408184{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Deleting a clip usually removes the file-system record that points to it. It does not immediately wipe every block containing the video. Instead, that space becomes available for new data.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That is why the first rule of SD card video recovery is simple: <\/span><b>do not record anything else to the card.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Video recovery can be more difficult than photo recovery because large MP4 and MOV files may be split across several areas of the card. This is known as fragmentation. A basic recovery tool might locate the beginning of a clip but fail to reconstruct all of its later fragments. The result can be a file that opens normally, plays for several seconds, then freezes or loses audio.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">GoPro footage has another complication. Longer recordings are divided into separate chapter files, which this walkthrough for<\/span><a href=\"https:\/\/www.cleverfiles.com\/howto\/gopro-recovery.html\" target=\"_blank\" rel=\"noopener\"> <span style=\"font-weight: 400;\">lost GoPro videos<\/span><\/a><span style=\"font-weight: 400;\"> covers in detail.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Your chances also depend on what happened after deletion.<\/span>[\/vc_custom_heading][vc_wp_text]\n<table id=\"tablepress-232\" class=\"tablepress tablepress-id-232\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\"><strong>Situation<\/strong><\/th><th class=\"column-2\"><strong>Recovery odds<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Clip deleted in-camera and no new footage recorded<\/td><td class=\"column-2\">Good<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">New footage recorded after deletion<\/td><td class=\"column-2\">Depends on how much data was overwritten<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Card was normally formatted and not reused<\/td><td class=\"column-2\">Often recoverable<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Card received a low-level\/full overwrite<\/td><td class=\"column-2\">Poor<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Card is no longer detected correctly<\/td><td class=\"column-2\">May require professional recovery<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-232 from cache -->[\/vc_wp_text][vc_custom_heading css=&#8221;.vc_custom_1790162462966{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">A standard format and a low-level format are not the same thing. For example, Canon documents its low-level format option as formatting all recordable sectors of the card. That makes software recovery much less likely than after a normal format.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740369346{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;Before You Recover Deleted Footage From an SD Card&#8221;]<\/p>\n<h2>Before You Recover Deleted Footage From an SD Card<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1790162515649{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Before opening recovery software, stop the card from changing.<\/span><\/p>\n<h3>Step 1. Stop recording and remove the card<\/h3>\n<p><span style=\"font-weight: 400;\">Turn the camera off and wait until its card-access light has stopped flashing. Remove the SD or microSD card.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Do not shoot a test clip to see whether the camera still works. Even a few seconds of high-bitrate footage can overwrite blocks belonging to the deleted video.<\/span><\/p>\n<h3>Step 2. Lock a full-size SD card<\/h3>\n<p><span style=\"font-weight: 400;\">If you are using a full-size SD card, move the side tab to the <\/span><b>Lock<\/b><span style=\"font-weight: 400;\"> position.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A microSD card does not have its own lock switch, although some SD adapters do.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The switch should be treated as an extra precaution rather than the only protection. You should still avoid any software operation that attempts to modify the card.<\/span><\/p>\n<h3>Step 3. Reject format and repair prompts<\/h3>\n<p><span style=\"font-weight: 400;\">If Windows says the card must be formatted before it can be used, click <\/span><b>Cancel<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Do not run CHKDSK before recovering the footage. Likewise, do not start an in-camera database repair simply because clips are missing. Operations designed to repair a file system or rebuild a camera database can change data on the card.<\/span><\/p>\n<h3>Step 4. Connect the card through a reader<\/h3>\n<p><span style=\"font-weight: 400;\">Use your computer&#8217;s built-in SD slot or a USB card reader.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is preferable to leaving the card inside the camera and connecting the camera by USB. Many cameras expose their files through MTP or PTP rather than presenting the memory card as a directly addressable storage device. Recovery applications need access to the card itself to scan deleted areas properly.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740434210{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;How to Recover Deleted Videos From an SD Card&#8221;]<\/p>\n<h2>How to Recover Deleted Videos From an SD Card<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1790162760002{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Start with methods that do not touch the original memory card. Your editing workflow may already have created another copy.<\/span><\/p>\n<h3>Method 1: Check for a Recently Deleted Copy on a Mac<\/h3>\n<p><span style=\"font-weight: 400;\">This only applies if you deleted the file through Finder while the card was connected to the Mac and have not emptied Trash. It does not help with footage deleted in-camera.<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Insert the card into the same Mac.<\/b><span style=\"font-weight: 400;\"> Wait for it to mount in Finder.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Open <\/span><b>Trash<\/b><span style=\"font-weight: 400;\"> from the Dock.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Search for the clip<\/b><span style=\"font-weight: 400;\"> by filename or sort the contents by date.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Copy the clip to your internal drive.<\/b><span style=\"font-weight: 400;\"> Drag it from the Bin to a folder on your Mac or another storage device. <\/span><\/li>\n<\/ol>\n<p>Do not restore it back to the memory card you are trying to protect.[\/vc_custom_heading][px_single_image_box px_image_url=&#8221;94185&#8243; px_image_url_webp=&#8221;94185&#8243;][vc_custom_heading css=&#8221;.vc_custom_1790162796404{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<\/p>\n<h3>Method 2: Find a Copy Your Editing Workflow Already Made<\/h3>\n<p><span style=\"font-weight: 400;\">Before scanning the source card, check what happened during ingest.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Editors often create copies, proxies, optimised media or cloud uploads without thinking of them as backups. These files may be enough to recover the shot or, at minimum, identify exactly which clip you need.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If the footage passed through an editing app, a phone, or a cloud service, check these before you scan:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Premiere Pro projects that ingest with <\/span><b>Copy, Transcode, or Create Proxies<\/b><span style=\"font-weight: 400;\"> write a second file to the Primary or Proxy Destination, which defaults to the project folder.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">DaVinci Resolve keeps copies in <\/span><b>Clone Tool<\/b><span style=\"font-weight: 400;\"> destinations and in your Optimized Media and Proxy Media folders.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Final Cut Pro imports set to <\/span><b>Copy to library<\/b><span style=\"font-weight: 400;\"> keep the original media in the library or its storage location.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">DJI Fly saves a lower-resolution copy to your phone when <\/span><b>Cache When Recording<\/b><span style=\"font-weight: 400;\"> is on. Look in the app&#8217;s Album.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">GoPro Quik can auto-upload to <\/span><b>GoPro&#8217;s cloud <\/b><span style=\"font-weight: 400;\">with a subscription, and Sony&#8217;s Creators&#8217; App can send clips to a phone or to <\/span><b>Creators&#8217; Cloud.<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Frame.io <\/span><b>Camera to Cloud<\/b><span style=\"font-weight: 400;\"> uploads proxies or original files during the shoot, depending on the camera.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">The problem here is that <\/span><b>most of these copies are proxies or cache files at a lower resolution.<\/b><span style=\"font-weight: 400;\"> They work for a rough cut and can help confirm which clip you need to keep the edit moving while you recover the original.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nothing turned up? Then the only copy is on the card, and it&#8217;s time to scan it.<\/span><\/p>\n<h3>Method 3: Scan the SD Card With Video Recovery Software<\/h3>\n<p><span style=\"font-weight: 400;\">If there is no usable copy in your editing workflow, the next step is to scan the original card for deleted data. This is why it was important not to record new footage, run repair tools, or write anything else to the card: recovery software can only work with data that has not yet been overwritten.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There are several tools that can scan SD cards, but for this walkthrough we recommend Disk Drill because its Advanced Camera Recovery mode is designed specifically for footage from cameras and drones. Instead of relying only on standard file signatures, it can reconstruct fragmented video from supported camera formats, which is particularly useful for large MOV and MP4 files.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">if the card repeatedly disconnects, becomes unusually hot, reports the wrong capacity, or is not detected properly in Disk Management or Disk Utility.\u00a0<\/span><\/p>\n<p><b>Before you scan:<\/b><span style=\"font-weight: 400;\"> stop here if the card repeatedly disconnects, becomes unusually hot, reports the wrong capacity or is not detected by Disk Utility or Disk Management. Those symptoms may point to hardware failure, and repeated scans can put an unstable card under additional stress.\u00a0<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Connect the locked card through the reader.<\/b><span style=\"font-weight: 400;\"> Install Disk Drill on your computer&#8217;s drive, never on the card.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Open Advanced Camera Recovery.<\/b><span style=\"font-weight: 400;\"> Select Advanced Camera Recovery from the left sidebar, then select the physical SD card rather than its individual volume.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Select the camera type.<\/b><span style=\"font-weight: 400;\"> Choose the camera brand that recorded the footage. Supported devices include cameras and recording systems from brands such as GoPro, Sony, Canon, Nikon, DJI, Panasonic and Fujifilm. Leave the other settings at their defaults unless you have a specific reason to modify them.<\/span><\/li>\n<\/ol>\n<p>[\/vc_custom_heading][px_single_image_box px_image_url=&#8221;94182&#8243; px_image_url_webp=&#8221;94182&#8243;][vc_custom_heading css=&#8221;.vc_custom_1790162973969{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<\/p>\n<ol start=\"4\">\n<li><b>Click<\/b> <b>Search for lost data <\/b><span style=\"font-weight: 400;\">to begin the scan.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Let the scan finish. <\/b><span style=\"font-weight: 400;\">Do not stop the scan as soon as you recognize one filename. Camera recovery can identify different versions or fragments of the same recording at different stages of the scan. <\/span><\/li>\n<\/ol>\n<p>[\/vc_custom_heading][px_single_image_box px_image_url=&#8221;94183&#8243; px_image_url_webp=&#8221;94183&#8243;][vc_custom_heading css=&#8221;.vc_custom_1790163047863{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<\/p>\n<ol start=\"6\">\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Filter the results.<\/b><span style=\"font-weight: 400;\"> Open the <\/span><b>Videos<\/b><span style=\"font-weight: 400;\"> category and narrow the results to the formats used by your camera. Use filename, estimated size, resolution and duration to narrow down the correct take.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Preview the complete clip. <\/b><span style=\"font-weight: 400;\">Scrub to the middle. Jump to the final few seconds. Check whether playback stops at a specific point. Full playback in preview is the best sign the file came back whole.<\/span><\/li>\n<\/ol>\n<p>[\/vc_custom_heading][px_single_image_box px_image_url=&#8221;94184&#8243; px_image_url_webp=&#8221;94184&#8243;][vc_custom_heading css=&#8221;.vc_custom_1790163648937{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<\/p>\n<ol start=\"8\">\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Recover to a different drive.<\/b><span style=\"font-weight: 400;\"> Select the files you need and click <\/span><b>Recover<\/b><span style=\"font-weight: 400;\">. Never save it back to the card itself.<\/span><\/li>\n<\/ol>\n<p>[\/vc_custom_heading][px_single_image_box px_image_url=&#8221;94181&#8243; px_image_url_webp=&#8221;94181&#8243;][vc_custom_heading css=&#8221;.vc_custom_1790163757255{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<\/p>\n<ol start=\"9\">\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Validate the recovered footage.<\/b><span style=\"font-weight: 400;\"> Before reusing or formatting the SD card, import the recovered file into your NLE and play it from beginning to end. Do not assume recovery is complete simply because an MP4 or MOV now exists on your drive.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">In<\/span><a href=\"https:\/\/community.handyrecovery.com\/d\/212-i-need-to-recover-deleted-videos-from-sd-card-how-do-i-do-it\" target=\"_blank\" rel=\"noopener\"> <span style=\"font-weight: 400;\">one forum thread<\/span><\/a><span style=\"font-weight: 400;\">, a Sony A7 III shooter&#8217;s first free scan missed a deleted 4K take that a camera recovery scan then found. The flow is the same for other brands, and there&#8217;s a separate guide if you need to<\/span><a href=\"https:\/\/www.cleverfiles.com\/howto\/nikon-photo-recovery.html\" target=\"_blank\" rel=\"noopener\"> <span style=\"font-weight: 400;\">recover photos and videos deleted from Nikon camera<\/span><\/a><span style=\"font-weight: 400;\"> bodies.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If paying for recovery software is not an option, PhotoRec is worth trying before giving up on the card. It is free and can recover files by looking for known file signatures rather than relying entirely on the damaged file system. The downside is that original filenames and folder structures may be lost, and heavily fragmented camera footage can be difficult to reconstruct correctly. So a recovered MP4 may still be incomplete or unplayable.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you want to compare other tools, the<\/span><a href=\"https:\/\/www.reddit.com\/r\/DataRecoveryHelp\/wiki\/data-recovery-software\/\" target=\"_blank\" rel=\"noopener\"> <span style=\"font-weight: 400;\">community-maintained software list on r\/DataRecoveryHelp<\/span><\/a><span style=\"font-weight: 400;\"> includes both commercial and free recovery utilities.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;What to Do When a Recovered Clip Won t Play&#8221;]<\/p>\n<h2>What to Do When a Recovered Clip Won&#8217;t Play<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1790163802138{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">The risky part comes after recovery looks done. In the same forum thread, another user recovered clips using a free tool marked, reused the card, and then found out that none of them played. When you recover deleted video files from an SD card, run three checks before formatting it:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Play every clip to the last frame, or drop them on a timeline and scrub through.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Compare duration and bitrate in MediaInfo against a healthy clip from the same shoot.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Keep both the original SD card and the untouched recovered file until every clip checks out.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">A damaged clip usually falls into one of two cases. A missing index (the moov atom in MP4 and MOV files) can be rebuilt by repair tools such as Clever Online Video Repair, using a reference clip from the same camera and settings. Overwritten frame data can&#8217;t be restored.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Also check the scan results for a proxy or GoPro LRV of the same shot. Smaller files are more likely to survive, and one can hold the edit in the meantime.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;Five Habits That Prevent the Next Lost Take&#8221;]<\/p>\n<h2>Five Habits That Prevent the Next Lost Take<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1790163835305{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">For professional footage, prevention should happen during offload rather than after something goes wrong.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Use a workflow where a card does not return to the camera until the footage exists in at least two verified locations.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A practical sequence is:<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Copy camera originals to your main media drive using a checksum-based copy or cloning tool.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Create a second independent copy on another physical drive.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Open several clips from both copies and verify that the transfer completed.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Only then return the SD card to the camera. Format only in camera, and only after both copies are verified.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Flag bad takes instead of deleting them on set. Deleted clips leave gaps that fragment the next recording.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">If your camera has two card slots, use simultaneous backup recording when the project justifies it rather than treating the second slot only as overflow.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;Wrapping Up&#8221;]<\/p>\n<h2>Wrapping Up<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1790163867341{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">The safest order is straightforward: stop writing to the card, check the copies your ingest workflow may already have created, then scan the locked card in a camera-aware mode. Verify every clip end to end before the card goes back in the camera. If nothing comes back and the card was reused, the proxy in your project folder may be the best copy left.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And if the card itself is physically unstable, stop scanning it and move to professional recovery instead.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;.vc_custom_1790162353850{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]Deleted the wrong take in-camera, formatted a card after a shoot, or found a missing clip during ingest? You may still be able to recover deleted videos from an SD card if the card has not been reused. Below, we walk through how to recover deleted videos [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":94187,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[64,132],"tags":[],"class_list":["post-94175","post","type-post","status-publish","format-standard","hentry","category-tips-tricks","category-video-editing"],"acf":[],"_links":{"self":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/94175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/comments?post=94175"}],"version-history":[{"count":5,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/94175\/revisions"}],"predecessor-version":[{"id":94193,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/94175\/revisions\/94193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/media\/94187"}],"wp:attachment":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/media?parent=94175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/categories?post=94175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/tags?post=94175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}