{"id":94690,"date":"2026-10-20T11:33:58","date_gmt":"2026-10-20T08:03:58","guid":{"rendered":"https:\/\/pixflow.net\/blog\/?p=94690"},"modified":"2026-10-22T10:45:36","modified_gmt":"2026-10-22T07:15:36","slug":"mobile-color-grading-iphone-ipad","status":"publish","type":"post","link":"https:\/\/pixflow.net\/blog\/mobile-color-grading-iphone-ipad\/","title":{"rendered":"Mobile Color Grading: How to Grade Video on iPhone and iPad Like a Pro"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;.vc_custom_1792483288485{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Quick answer<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Yes, you can color grade properly on an iPhone or iPad. The workflow that holds up on mobile looks like this:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Shoot for the grade: Apple Log if you plan to grade, HDR or SDR if you need speed.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Convert Log to Rec.709 before anything creative.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Fix exposure and white balance, then shape contrast and protect skin tones.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Add your look with a LUT at reduced strength, then match every clip.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Export in the color space you graded for (SDR for most social platforms).<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">DaVinci Resolve for iPad and LumaFusion give you the most control. The free Blackmagic Camera app, VN and LogGrade cover quick grades on iPhone. Final Cut Pro for iPad handles Log automatically but doesn&#8217;t accept custom LUTs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Phone footage has a reputation. It&#8217;s a little too sharp, a little too saturated, and it tends to look like it came off a phone. Most of that comes from what happens after you hit record, because a recent iPhone can capture Apple Log, 10-bit HDR and ProRes, and the apps on iPhone and iPad now ship with real grading tools.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This guide covers mobile color grading on iPhone and iPad the way we&#8217;d actually do it on a job: how to shoot so the footage grades well, which apps are worth your time, a step-by-step grade you can follow on your phone, a more serious iPad workflow, how to use LUTs, and how to export without the colors falling apart once they hit Instagram or YouTube. If you want a head start on looks, <\/span><a href=\"https:\/\/pixflow.net\/product\/cl-iphone\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">CL-iPhone LUTs<\/span><\/a><span style=\"font-weight: 400;\"> were made for this exact footage, both ProRes and regular iPhone video. And if you&#8217;re still putting the rest of your kit together, our <\/span><a href=\"https:\/\/pixflow.net\/blog\/mobile-filmmaking-2026\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">complete mobile filmmaking guide<\/span><\/a><span style=\"font-weight: 400;\"> covers gear, shooting and editing.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;can-you-really-color-grade-on-an-iphone-or-ipad&#8221;]<\/p>\n<h2>Can You Really Color Grade on an iPhone or iPad?<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000000137{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Yes. DaVinci Resolve for iPad gives you a full Color page with primary and secondary tools, Power Windows, qualifiers, 3D tracking and HDR grading tools, according to <\/span><a href=\"https:\/\/apps.apple.com\/us\/app\/davinci-resolve-for-ipad\/id1581363826\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Blackmagic&#8217;s App Store listing<\/span><\/a><span style=\"font-weight: 400;\">. On iPhone, LumaFusion brings color correction, LUT import and waveform, vectorscope and histogram scopes to a phone-sized screen.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Where mobile grading still falls short is the viewing side. A phone screen is small, its brightness moves with the room, and features like True Tone shift the white point while you work. You also don&#8217;t have a calibrated reference monitor, so you lean on scopes more than you would at a desk. For social content, YouTube videos and plenty of client work, a phone or tablet is enough (as long as you respect those limits).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">So which device should you grade on? Here&#8217;s how they compare.<\/span>[\/vc_custom_heading][vc_wp_text]\n<table id=\"tablepress-280\" class=\"tablepress tablepress-id-280\">\n<thead>\n<tr class=\"row-1\">\n\t<td class=\"column-1\"><\/td><th class=\"column-2\"><strong>iPhone<\/strong><\/th><th class=\"column-3\"><strong>iPad<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Screen<\/td><td class=\"column-2\">Small, fine for quick grades and social edits<\/td><td class=\"column-3\">Bigger canvas, easier to judge skin and fine detail<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Apps<\/td><td class=\"column-2\">LumaFusion, VN, CapCut, Blackmagic Camera, LogGrade, Photos<\/td><td class=\"column-3\">DaVinci Resolve for iPad, LumaFusion, Final Cut Pro for iPad<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Precision<\/td><td class=\"column-2\">Fingers on sliders<\/td><td class=\"column-3\">Apple Pencil, keyboard and trackpad<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Node-based grading<\/td><td class=\"column-2\">No<\/td><td class=\"column-3\">Yes, in DaVinci Resolve for iPad<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Best for<\/td><td class=\"column-2\">Fast social grades and looks on location<\/td><td class=\"column-3\">Client work, longer edits and Log footage<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-280 from cache -->[\/vc_wp_text][vc_custom_heading css=&#8221;.vc_custom_1792000000274{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">One thing to check before you commit to the iPad route: DaVinci Resolve for iPad only runs on supported models, and the M-series iPads give you the most headroom for 4K and HDR timelines. Look at the current device list on the App Store before you buy hardware for it.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;shoot-for-the-grade-first-log-hdr-or-sdr&#8221;]<\/p>\n<h2>Shoot for the Grade First: Log, HDR, or SDR?<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000000411{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Shoot Apple Log when you plan to grade and have the time for it, HDR when you want great results straight out of the camera, and SDR when speed and compatibility matter most. The format you pick decides how much room you&#8217;ll have in post, so this choice matters more than any app.<\/span>[\/vc_custom_heading][vc_wp_text]\n<table id=\"tablepress-281\" class=\"tablepress tablepress-id-281\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\"><strong>Format<\/strong><\/th><th class=\"column-2\"><strong>What you get<\/strong><\/th><th class=\"column-3\"><strong>Grading effort<\/strong><\/th><th class=\"column-4\"><strong>Best for<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Apple Log \/ Apple Log 2<\/td><td class=\"column-2\">Flat image with the most dynamic range and room to push color<\/td><td class=\"column-3\">High: convert first, then grade<\/td><td class=\"column-4\">Cinematic projects, client work, matching other cameras<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">HDR (Dolby Vision)<\/td><td class=\"column-2\">Bright, punchy image with wide color, ready to post<\/td><td class=\"column-3\">Medium: harder to keep consistent on SDR platforms<\/td><td class=\"column-4\">Quick turnarounds, viewers on HDR screens<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">SDR<\/td><td class=\"column-2\">Standard image that every screen and app expects<\/td><td class=\"column-3\">Low<\/td><td class=\"column-4\">Fast social posts, apps with weak HDR support<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-281 from cache -->[\/vc_wp_text][vc_custom_heading css=&#8221;.vc_custom_1792000000548{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Apple Log arrived with the iPhone 15 Pro, and Apple Log 2 came with the iPhone 17 Pro and Pro Max. <\/span><a href=\"https:\/\/luttie.app\/blog\/apple-log-2-support\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Luttie&#8217;s breakdown of Apple Log 2<\/span><\/a><span style=\"font-weight: 400;\"> explains that the curve stays the same and the color gamut gets wider (Apple Gamut), so your conversion LUT needs to match the version you shot. On earlier Pro models, Log records as ProRes, which eats storage fast. Our iPhone settings guide notes that on the 17 Pro you can record Log 2 in HEVC through Final Cut Camera, which is a lot easier on your storage.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Before you shoot, check the iPhone color settings that change your footage. In Settings &gt; Camera, look at Formats (where ProRes and Log live on Pro models) and Record Video (resolution, frame rate and the HDR Video toggle). We go through every one of those in our guide to the <\/span><a href=\"https:\/\/pixflow.net\/blog\/how-to-make-iphone-videos-look-cinematic\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">best iPhone camera settings for cinematic video<\/span><\/a><span style=\"font-weight: 400;\">.<\/span>[\/vc_custom_heading][px_single_image_box px_image_caption=&#8221;true&#8221; px_image_url=&#8221;94693&#8243; px_image_url_webp=&#8221;94693&#8243;][vc_custom_heading css=&#8221;.vc_custom_1792000000685{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<\/p>\n<h3>What Gamma Does iPhone Use?<\/h3>\n<p><span style=\"font-weight: 400;\">It depends on what you shoot. <\/span><a href=\"https:\/\/support.apple.com\/en-kw\/102241\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Apple says<\/span><\/a><span style=\"font-weight: 400;\"> iPhone HDR video is recorded in Dolby Vision, and it edits as Rec.2020 HLG (Hybrid Log-Gamma). Turn HDR off and you get SDR with a standard Rec.709-style gamma that every screen understands. Apple Log uses Apple&#8217;s own log curve with Rec.2020 primaries, and Apple Log 2 keeps that curve while moving to Apple Gamut.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Why does this matter? Your editing app has to know which of these it&#8217;s getting. When it guesses wrong, the image comes out washed out or crunchy, and no amount of slider work fixes a bad conversion.<\/span><\/p>\n<h3>Grading Apple Log Footage<\/h3>\n<p><span style=\"font-weight: 400;\">Log footage looks flat and gray on purpose, because it&#8217;s holding highlight and shadow detail for you to place in the grade. The order never changes: convert Log to Rec.709 with a conversion LUT or your app&#8217;s color management, fix exposure and white balance, then add your creative look.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Final Cut Pro for iPad does the conversion for you with built-in camera LUTs. In LumaFusion, VN and DaVinci Resolve for iPad you apply it yourself. For a full walkthrough with settings, follow our <\/span><a href=\"https:\/\/pixflow.net\/blog\/how-to-edit-iphone-log-files-like-a-pro-step-by-step-guide-for-stunning-videos\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">step-by-step guide to editing iPhone Log files<\/span><\/a><span style=\"font-weight: 400;\">.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;best-color-grading-apps-for-iphone-and-ipad&#8221;]<\/p>\n<h2>Best Color Grading Apps for iPhone and iPad<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000000822{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">DaVinci Resolve for iPad is the most complete color grading app on Apple&#8217;s mobile devices. LumaFusion is the best all-rounder that runs on both iPhone and iPad, and the free Blackmagic Camera app, VN and LogGrade cover a lot of ground for no money. If you care about editing features beyond color, our roundup of the <\/span><a href=\"https:\/\/pixflow.net\/blog\/best-mobile-video-editing-apps\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">best mobile video editing apps<\/span><\/a><span style=\"font-weight: 400;\"> compares them in more depth.<\/span>[\/vc_custom_heading][vc_wp_text]\n<table id=\"tablepress-282\" class=\"tablepress tablepress-id-282\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\"><strong>App<\/strong><\/th><th class=\"column-2\"><strong>Devices<\/strong><\/th><th class=\"column-3\"><strong>Log handling<\/strong><\/th><th class=\"column-4\"><strong>Custom LUT import<\/strong><\/th><th class=\"column-5\"><strong>Price model<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">DaVinci Resolve for iPad<\/td><td class=\"column-2\">iPad<\/td><td class=\"column-3\">Color management or conversion LUT<\/td><td class=\"column-4\">Yes<\/td><td class=\"column-5\">Free, paid Studio upgrade<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">LumaFusion<\/td><td class=\"column-2\">iPhone, iPad<\/td><td class=\"column-3\">Conversion LUT<\/td><td class=\"column-4\">Yes (.cube, .3dl)<\/td><td class=\"column-5\">One-time purchase, optional Creator Pass<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Final Cut Pro for iPad<\/td><td class=\"column-2\">iPad<\/td><td class=\"column-3\">Automatic log processing<\/td><td class=\"column-4\">No<\/td><td class=\"column-5\">Subscription<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Blackmagic Camera<\/td><td class=\"column-2\">iPhone, iPad<\/td><td class=\"column-3\">Records Log, preview LUT on set<\/td><td class=\"column-4\">Yes, for monitoring<\/td><td class=\"column-5\">Free<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">VN<\/td><td class=\"column-2\">iPhone, iPad<\/td><td class=\"column-3\">Conversion LUT<\/td><td class=\"column-4\">Yes<\/td><td class=\"column-5\">Free<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">CapCut<\/td><td class=\"column-2\">iPhone, iPad<\/td><td class=\"column-3\">Manual adjustments<\/td><td class=\"column-4\">No (desktop only)<\/td><td class=\"column-5\">Free, some color tools paid<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">LogGrade<\/td><td class=\"column-2\">iPhone, iPad<\/td><td class=\"column-3\">Apple Log and Log 2 input<\/td><td class=\"column-4\">Yes (.cube, Lightroom .xmp)<\/td><td class=\"column-5\">Free<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">iMovie and Photos<\/td><td class=\"column-2\">iPhone, iPad<\/td><td class=\"column-3\">None<\/td><td class=\"column-4\">No<\/td><td class=\"column-5\">Free<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-282 from cache -->[\/vc_wp_text][vc_custom_heading css=&#8221;.vc_custom_1792000000959{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Prices and features change often, so check the App Store listing before you buy anything.<\/span>[\/vc_custom_heading][px_single_image_box px_image_caption=&#8221;true&#8221; px_image_url=&#8221;94694&#8243; px_image_url_webp=&#8221;94694&#8243;][vc_custom_heading css=&#8221;.vc_custom_1792000001096{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<\/p>\n<h3>DaVinci Resolve for iPad<\/h3>\n<p><span style=\"font-weight: 400;\">If you want desktop-level grading on a tablet, this is it. Resolve for iPad combines editing and color in one app, and its Color page includes primary and secondary tools, Power Windows, qualifiers, 3D trackers and HDR grading tools. It also works with Blackmagic Cloud, so you can hand a project to a desktop Resolve system.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The learning curve is real if you&#8217;ve never used nodes. Once it clicks, though, it&#8217;s the closest thing to a colorist&#8217;s suite you can carry in a backpack.<\/span><\/p>\n<h3>LumaFusion<\/h3>\n<p><span style=\"font-weight: 400;\">LumaFusion is the app we&#8217;d point most iPhone editors to first. <\/span><a href=\"https:\/\/apps.apple.com\/pe\/app\/lumafusion\/id1062022008?l=en-GB\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Its App Store listing<\/span><\/a><span style=\"font-weight: 400;\"> covers six video and audio tracks, 4K ProRes and HDR editing, color correction, waveform, vectorscope and histogram scopes, and import of multiple .cube or .3dl LUTs. It runs on both iPhone and iPad and is a one-time purchase, with optional Creator Pass add-ons.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Having real scopes on a phone changes how you grade. You stop guessing whether the sky is clipping and just look at the waveform.<\/span><\/p>\n<h3>Final Cut Pro for iPad<\/h3>\n<p><span style=\"font-weight: 400;\">Final Cut Pro for iPad is the easiest way into Final Cut color grading on a tablet, with one big catch. Apple&#8217;s guide confirms <\/span><a href=\"https:\/\/support.apple.com\/en-ca\/guide\/final-cut-pro-ipad\/dev21b967219\/ipados\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">automatic log processing<\/span><\/a><span style=\"font-weight: 400;\"> that uses built-in camera LUTs to convert Log footage to wide-gamut HDR, and you can switch Log Processing manually in the inspector. The catch is that custom LUTs aren&#8217;t supported, so you can&#8217;t load your own .cube files.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For grading itself, you get a color adjustments effect for manual correction, a machine-learning tool that fixes light and color automatically, color effects, and color grading presets with names like Green Muted Wash and Cool Shadows with Warm Highs. It&#8217;s a good fit if you already edit in Final Cut on a Mac and want the same feel on iPad.<\/span><\/p>\n<h3>Blackmagic Camera App<\/h3>\n<p><span style=\"font-weight: 400;\">The Blackmagic Camera app is free and does something no editor can: it lets you see the grade while you shoot. You can load a preview LUT on your Log footage so you&#8217;re framing and exposing for the final look. On the iPhone 17 Pro models, you pick Apple Log 2 in the Color Space setting.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The setting to watch is Record LUT to Clip. <\/span><a href=\"https:\/\/freewellgear.com\/blogs\/news\/blackmagic-camera-iphone-18-pro-max-log-2-prores-raw-settings\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Freewell&#8217;s setup guide<\/span><\/a><span style=\"font-weight: 400;\"> recommends turning it off so you keep the clean Log file for grading later, and we agree. Baking in a look on set takes your options away in post.<\/span><\/p>\n<h3>VN and CapCut<\/h3>\n<p><span style=\"font-weight: 400;\">VN and CapCut are where a lot of creators start color grading on iPhone, and both handle a quick grade well. VN is free with no watermark and lets you import your own LUTs through Filters &gt; My Filter &gt; Import, which makes it the best free editor for LUT work on a phone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">CapCut gives you filters and adjustment sliders, but custom LUTs can&#8217;t be imported in the mobile app (LUT import is a desktop feature). Some color tools, like Auto Adjust, Color Match and the color correction slider, sit behind the paid plan. Our rundown of the <\/span><a href=\"https:\/\/pixflow.net\/blog\/capcut-2026-update\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">latest CapCut updates<\/span><\/a><span style=\"font-weight: 400;\"> covers what&#8217;s free and what isn&#8217;t right now.<\/span><\/p>\n<h3>Dedicated Grading Apps: LogGrade, VideoGrade and More<\/h3>\n<p><span style=\"font-weight: 400;\">Sometimes you don&#8217;t need an editor at all, just a color grading app for one clip. <\/span><a href=\"https:\/\/apps.apple.com\/gb\/app\/loggrade\/id6786964191\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">LogGrade<\/span><\/a><span style=\"font-weight: 400;\"> is free on iPhone and iPad, reads Apple Log and Log 2, handles Display P3 SDR, HLG and PQ footage, imports .cube LUTs and Lightroom .xmp presets, and adds an HSL mixer plus grain and halation before exporting Rec.709.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">VideoGrade, VideoLUT and Darkroom sit in the same space: open a clip, adjust it, apply a look, export. They&#8217;re handy for a single Reel or a client preview, less so for a 40-clip edit.<\/span><\/p>\n<h3>Can You Color Grade in iMovie or the Photos App?<\/h3>\n<p><span style=\"font-weight: 400;\">A little. <\/span><a href=\"https:\/\/support.apple.com\/guide\/iphone\/edit-photos-and-videos-iphb08064d57\/ios\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">The Photos app<\/span><\/a><span style=\"font-weight: 400;\"> lets you use its Adjust tools (Exposure, Brilliance, Highlights, Shadows, Contrast, Saturation, Warmth and more) on video, plus filters. Apple notes that on iPhone 16 models and later, Photographic Styles take the place of filters there.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Color grading in iMovie is more limited: you get a set of filters and not much manual control. A simple trick is to adjust the clip in Photos first, then cut it in iMovie. It won&#8217;t handle Log properly, but for HDR or SDR clips it&#8217;s fine.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On a zero budget? Shoot with the Blackmagic Camera app, grade in VN or LogGrade, and you&#8217;ve got a complete free workflow. For more no-cost options, see our list of <\/span><a href=\"https:\/\/pixflow.net\/blog\/best-free-4k-video-editing-apps\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">free 4K video editing apps for phone and tablet<\/span><\/a><span style=\"font-weight: 400;\">.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;how-to-color-grade-on-iphone-step-by-step&#8221;]<\/p>\n<h2>How to Color Grade on iPhone, Step by Step<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000001233{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Set up your screen, convert Log if you shot it, fix exposure and white balance, shape contrast, protect skin tones, add a look, then match every clip. The steps below work in LumaFusion, VN or any app with manual color tools.<\/span>[\/vc_custom_heading][px_single_image_box px_image_caption=&#8221;true&#8221; px_image_url=&#8221;94695&#8243; px_image_url_webp=&#8221;94695&#8243;][vc_custom_heading css=&#8221;.vc_custom_1792000001370{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<\/p>\n<h3>Step 1: Set Up Your Screen<\/h3>\n<p><span style=\"font-weight: 400;\">Turn off True Tone and Night Shift in Settings &gt; Display &amp; Brightness, and turn off Auto-Brightness in Settings &gt; Accessibility &gt; Display &amp; Text Size. Then set brightness to the same level every time you grade. If your screen changes between sessions, your grades will too.<\/span><\/p>\n<h3>Step 2: Convert Log to Rec.709<\/h3>\n<p><span style=\"font-weight: 400;\">If you shot Log, apply the conversion LUT for your Log version first, before you touch anything else. Shot HDR? Decide now whether you&#8217;re delivering HDR or SDR and set the project to match. Grading HDR clips in an SDR project without converting is how you end up with washed-out exports.<\/span><\/p>\n<h3>Step 3: Fix Exposure and White Balance<\/h3>\n<p><span style=\"font-weight: 400;\">Open the waveform if your app has one. Bring the brightest important highlights close to the top without clipping, and keep shadows from crushing into solid black unless that&#8217;s the look. For white balance, find something that should be neutral (a white wall, gray pavement, a white shirt) and adjust temperature and tint until it reads neutral.<\/span><\/p>\n<h3>Step 4: Shape Contrast and Saturation<\/h3>\n<p><span style=\"font-weight: 400;\">Add a gentle S-curve or nudge contrast, then raise saturation in small steps. Phone screens already look bright and punchy, so footage that looks just right on your iPhone often looks overcooked on a laptop. Go a little lighter than feels natural.<\/span><\/p>\n<h3>Step 5: Protect Skin Tones<\/h3>\n<p><span style=\"font-weight: 400;\">Faces are the first thing viewers notice. In LumaFusion&#8217;s vectorscope, skin should sit near the skin tone line regardless of skin color, and in apps with an HSL mixer (like LogGrade) you can pull orange and red saturation back if faces turn sunburned. Check skin again after every big change.<\/span><\/p>\n<h3>Step 6: Add Your Look With a LUT, Then Dial It Back<\/h3>\n<p><span style=\"font-weight: 400;\">Now apply a creative LUT on top of your corrected clip. Most apps let you lower its strength, and a LUT at partial strength usually looks more natural than one at 100%. If the look fights your correction, go back to step 3 rather than piling on more adjustments.<\/span><\/p>\n<h3>Step 7: Match Every Clip in the Edit<\/h3>\n<p><span style=\"font-weight: 400;\">Grade your best-looking shot first, copy its grade, and paste it onto the rest of the scene. Then adjust exposure and white balance per clip, since every shot was lit a little differently. Scrub through the whole timeline at the end, because a single mismatched clip stands out more than a slightly off look.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;how-to-grade-on-ipad-like-a-pro&#8221;]<\/p>\n<h2>How to Grade on iPad Like a Pro<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000001507{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Grade on iPad the way colorists grade on desktop: keep correction and look in separate steps, trust the scopes over the screen, and use the Pencil or a keyboard for fine moves. The bigger screen makes the difference here, since you can see skin texture and highlight detail that a phone hides.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In DaVinci Resolve for iPad, a simple three-node setup handles most projects:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Node 1, correction: Log conversion (or color management), exposure and white balance.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Node 2, look: your creative LUT or manual grade, at reduced strength.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Node 3, secondary: a qualifier on skin or a tracked Power Window on a face to lift it slightly.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Keeping these apart means you can change the look without breaking the correction, and you can copy just the look node across clips.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Scopes do the heavy lifting on iPad. Use the waveform or parade to balance highlights and shadows across shots, and the vectorscope to keep skin consistent. The Apple Pencil is great for precise moves on color wheels and curves, and a keyboard with shortcuts speeds up playback and node work. If you connect an external display, test how your app uses it before a client session.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Already living in Final Cut? Final Cut Pro for iPad works best when you let automatic log processing handle the conversion, correct with the color adjustments effect, then try a color grading preset as a starting point. Since it can&#8217;t load custom LUTs, either build your look by hand or finish the grade in LumaFusion or Resolve. Check that your project&#8217;s color space matches where the video will end up.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;how-to-use-luts-on-iphone-and-ipad&#8221;]<\/p>\n<h2>How to Use LUTs on iPhone and iPad<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000001644{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Import a .cube file into an app that supports custom LUTs (LumaFusion, DaVinci Resolve for iPad, VN, LogGrade or the Blackmagic Camera app). If you shot Log, apply a technical LUT first, then a creative LUT on top, and lower its strength to taste.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There are two kinds of LUT, and mixing them up causes most LUT problems. A technical LUT converts footage from one color space to another, like Apple Log to Rec.709. A creative LUT applies a look (warm film, teal and orange, muted pastel). If you want the full background, here&#8217;s <\/span><a href=\"https:\/\/pixflow.net\/blog\/a-complete-guide-to-understanding-look-up-tables-in-video-editing-and-photography\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">what a LUT actually does<\/span><\/a><span style=\"font-weight: 400;\"> to your image.<\/span>[\/vc_custom_heading][px_single_image_box px_image_caption=&#8221;true&#8221; px_image_url=&#8221;94696&#8243; px_image_url_webp=&#8221;94696&#8243;][vc_custom_heading css=&#8221;.vc_custom_1792483319434{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Here&#8217;s where custom LUTs work on mobile:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">LumaFusion: import .cube or .3dl files and apply them in the color tools. You can use more than one.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">DaVinci Resolve for iPad: add your LUTs and apply them on the Color page, ideally on their own node.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">VN: go to Filters &gt; My Filter &gt; Import.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Blackmagic Camera: load a LUT for monitoring while you shoot, and keep Record LUT to Clip off.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">LogGrade: import .cube LUTs or Lightroom .xmp presets.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">And where they don&#8217;t: Final Cut Pro for iPad doesn&#8217;t support custom LUTs, and CapCut mobile can&#8217;t import them. In those apps, use the built-in presets and manual tools instead.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you&#8217;d rather not build looks from scratch, <\/span><a href=\"https:\/\/pixflow.net\/product\/cl-iphone\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">CL-iPhone LUTs<\/span><\/a><span style=\"font-weight: 400;\"> is a pack of 25 3D .cube LUTs made for both ProRes and normal iPhone video. Its supported list includes LumaFusion, DaVinci Resolve, Video LUT and 3DLUT Mobile, it works up to 4K, and it comes with a tutorial PDF, which helps the first time you import a LUT on a phone. For bigger, film-style looks, try <\/span><a href=\"https:\/\/pixflow.net\/product\/hollywood-lut-color-grading\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Hollywood LUTs<\/span><\/a><span style=\"font-weight: 400;\"> the same way: after conversion, at reduced strength.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;how-to-add-film-texture-on-mobile-grain-light-leaks-and-frames&#8221;]<\/p>\n<h2>How to Add Film Texture on Mobile: Grain, Light Leaks, and Frames<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000001918{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Add texture after the grade, in layers: film emulation or grain first, light leaks as overlays, and frames last for social posts. Texture is what moves a clean grade toward something that feels shot on film, and a small amount goes a long way on a phone screen.<\/span><\/p>\n<p><a href=\"https:\/\/pixflow.net\/product\/film-emulation\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Film Emulation Pro<\/span><\/a><span style=\"font-weight: 400;\"> bundles LUTs, letterboxes, grains and frames based on real Kodak, Fujifilm and Ilford film scans. Use the LUTs like any creative LUT in LumaFusion, VN or Resolve for iPad, and put the grain on a layer above your footage in apps that support layers and blend modes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For warm flashes between shots or over an intro, <\/span><a href=\"https:\/\/pixflow.net\/product\/cinematic-light-leaks\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Cinematic Light Leaks<\/span><\/a><span style=\"font-weight: 400;\"> gives you 40 real light leaks shot on an ARRI Alexa Mini. Drop a pre-rendered leak on the track above your clip and set the blend mode to Screen or Add so only the light shows through. Keep them short, a second or two, so they read as a moment.<\/span>[\/vc_custom_heading][px_single_image_box px_image_caption=&#8221;true&#8221; px_image_url=&#8221;94705&#8243; px_image_url_webp=&#8221;94705&#8243;][vc_custom_heading css=&#8221;.vc_custom_1792000002055{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Posting stills or carousels from the same shoot? <\/span><a href=\"https:\/\/pixflow.net\/product\/kodak-and-fuji-film-frames\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Kodak and Fuji Film Frames<\/span><\/a><span style=\"font-weight: 400;\"> adds film camera frame borders to films, photos and Instagram posts, which ties a graded video and its photo posts together visually. LogGrade&#8217;s built-in grain and halation are another quick option when you want texture without leaving the app.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;common-mobile-color-grading-mistakes-and-how-to-fix-them&#8221;]<\/p>\n<h2>Common Mobile Color Grading Mistakes (and How to Fix Them)<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000002192{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Most bad mobile grades come from a handful of repeat mistakes, and every one of them is easy to fix once you spot it.<\/span>[\/vc_custom_heading][vc_wp_text]\n<table id=\"tablepress-283\" class=\"tablepress tablepress-id-283\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\"><strong>Mistake<\/strong><\/th><th class=\"column-2\"><strong>What it looks like<\/strong><\/th><th class=\"column-3\"><strong>Fix<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Grading with True Tone, Night Shift or Auto-Brightness on<\/td><td class=\"column-2\">Grades that look different every session<\/td><td class=\"column-3\">Turn them off and grade at a fixed brightness<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Creative LUT on unconverted Log<\/td><td class=\"column-2\">Murky, gray or oddly colored footage<\/td><td class=\"column-3\">Convert to Rec.709 first, then add the look<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Double conversion<\/td><td class=\"column-2\">Crushed, oversaturated, harsh image<\/td><td class=\"column-3\">If the app auto-converts Log (like Final Cut Pro for iPad), skip your conversion LUT<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Wrong Log version<\/td><td class=\"column-2\">Colors slightly off even after conversion<\/td><td class=\"column-3\">Use an Apple Log 2 conversion for Log 2 footage<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Over-saturating for a small screen<\/td><td class=\"column-2\">Orange skin, neon skies on laptops and TVs<\/td><td class=\"column-3\">Pull saturation back and check on a second screen<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Clips that don't match<\/td><td class=\"column-2\">Skin and white balance jump between shots<\/td><td class=\"column-3\">Copy the grade, then fix exposure and white balance per clip<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-283 from cache -->[\/vc_wp_text][vc_custom_heading css=&#8221;.vc_custom_1792000002329{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">One more habit worth building: check your grade on a second screen before you export. A laptop, a TV or a friend&#8217;s phone will show you problems your own screen hides.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;how-to-export-your-grade-without-losing-color&#8221;]<\/p>\n<h2>How to Export Your Grade Without Losing Color<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000002466{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Export in the color space you graded for. That means SDR (Rec.709) for most social posts and anywhere you can&#8217;t control the viewer&#8217;s screen, and HDR only when you graded in HDR and the platform supports it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Washed-out exports almost always come from a color space mismatch. Typical causes are an HDR clip in an SDR project, a Log clip that never got converted, or an HDR file landing on a platform or player that shows it as SDR. The fix is to convert HDR to SDR inside your editor (desktop Final Cut has an HDR Tools effect with an HLG to Rec.709 SDR mode) or to set the project to SDR from the start. <\/span><a href=\"https:\/\/support.apple.com\/en-kw\/102241\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Apple&#8217;s HDR guide<\/span><\/a><span style=\"font-weight: 400;\"> notes that you can edit iPhone HDR video in iMovie, Clips and Final Cut, and that HDR delivery uses an HLG master or 10-bit HEVC.<\/span>[\/vc_custom_heading][vc_wp_text]\n<table id=\"tablepress-284\" class=\"tablepress tablepress-id-284\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\"><strong>Delivery<\/strong><\/th><th class=\"column-2\"><strong>Color space<\/strong><\/th><th class=\"column-3\"><strong>Codec<\/strong><\/th><th class=\"column-4\"><strong>Notes<\/strong><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Instagram, TikTok, most social<\/td><td class=\"column-2\">SDR Rec.709<\/td><td class=\"column-3\">HEVC or H.264<\/td><td class=\"column-4\">Safest for consistent color after recompression<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">YouTube in HDR<\/td><td class=\"column-2\">HDR HLG<\/td><td class=\"column-3\">HEVC 10-bit<\/td><td class=\"column-4\">Only if you graded in HDR and checked it on an HDR screen<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Client masters<\/td><td class=\"column-2\">Match the project<\/td><td class=\"column-3\">ProRes or high-bitrate HEVC 10-bit<\/td><td class=\"column-4\">Keep the highest quality you can store<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-284 from cache -->[\/vc_wp_text][vc_custom_heading css=&#8221;.vc_custom_1792000002603{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">A few export habits help too. Match the frame rate you shot, export at the highest bitrate your app offers, and prefer 10-bit HEVC over 8-bit H.264 when you have the choice, since it keeps smoother gradients in skies and skin. If part of your team shoots on Android, our guide to <\/span><a href=\"https:\/\/pixflow.net\/blog\/android-video-export-quality\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">exporting without losing quality on Android<\/span><\/a><span style=\"font-weight: 400;\"> covers the same problem on that side.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;conclusion&#8221;]<\/p>\n<h2>Conclusion<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792483303100{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Your iPhone already captures more color information than most people ever use. Grading it on the phone or tablet in your bag means you can shoot in the morning, grade on the train and post a finished, cinematic piece the same day, with no laptop involved.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Pick one clip from your camera roll today and run it through the steps above. If you want looks built for iPhone footage to start from, grab <\/span><a href=\"https:\/\/pixflow.net\/product\/cl-iphone\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">CL-iPhone LUTs<\/span><\/a><span style=\"font-weight: 400;\"> and see how far one good LUT takes a corrected clip.<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading el_id=&#8221;wrap-up&#8221;]<\/p>\n<h2>Wrap Up<\/h2>\n<p>[\/vc_custom_heading][vc_custom_heading css=&#8221;.vc_custom_1792000002877{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]<span style=\"font-weight: 400;\">Here&#8217;s what to remember from this guide:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Your shooting format decides your grading room. Apple Log gives the most, HDR gives fast results, SDR is the safest for quick social posts.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">iPhone HDR is HLG, SDR is Rec.709-style, and Apple Log and Log 2 need the matching conversion LUT.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Always convert Log to Rec.709 before adding a creative look, and skip the conversion LUT if your app (like Final Cut Pro for iPad) already does it.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">DaVinci Resolve for iPad is the most complete grading app on Apple mobile devices, LumaFusion is the best all-rounder, and VN, LogGrade and Blackmagic Camera make a free workflow.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Final Cut Pro for iPad and CapCut mobile can&#8217;t load custom LUTs.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Turn off True Tone, Night Shift and Auto-Brightness before grading, and read scopes instead of trusting your screen.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Apply LUTs at reduced strength, then match every clip by copying the grade and fixing exposure and white balance per shot.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Export SDR Rec.709 for most social platforms, and use 10-bit HEVC HDR only when you graded in HDR.<\/span><\/li>\n<\/ul>\n<p>[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1785740477941{margin-top: 125px !important;}&#8221;][vc_column][vc_custom_heading css=&#8221;.vc_custom_1792483288485{margin-top: 25px !important;margin-bottom: 25px !important;}&#8221;]Quick answer Yes, you can color grade properly on an iPhone or iPad. The workflow that holds up on mobile looks like this: Shoot for the grade: Apple Log if you plan to grade, HDR or SDR if you need speed. Convert Log to Rec.709 before anything [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":94692,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70,132],"tags":[2607,760,2608],"class_list":["post-94690","post","type-post","status-publish","format-standard","hentry","category-filmmaking","category-video-editing","tag-cgi","tag-cgi-and-visual-effects","tag-practical-effects"],"acf":[],"_links":{"self":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/94690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/comments?post=94690"}],"version-history":[{"count":5,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/94690\/revisions"}],"predecessor-version":[{"id":94794,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/posts\/94690\/revisions\/94794"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/media\/94692"}],"wp:attachment":[{"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/media?parent=94690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/categories?post=94690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pixflow.net\/blog\/wp-json\/wp\/v2\/tags?post=94690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}