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Wicked Film Series: Exploring the Visual Connection to The Wizard of Oz

Wicked Film Series: Exploring the Visual Connection to The Wizard of Oz
The Wicked film series has captivated audiences by offering a fresh perspective on the beloved Wizard of Oz universe. This reimagining doesn’t just retell a familiar story; it transforms our understanding of Oz through compelling characters, stunning visuals, and a color palette that both honors and reinterprets the 1939 classic. For filmmakers and video editors, the visual connection between these two productions offers valuable lessons in color grading, cinematography, and how to build a cinematic universe that respects its source while forging its own identity.

The Story Behind Wicked: A New Perspective on Oz

Wicked is based on Gregory Maguire’s 1995 novel “Wicked: The Life and Times of the Wicked Witch of the West,” which was later adapted into one of Broadway’s most successful musicals. The story serves as a prequel to The Wizard of Oz, exploring the unlikely friendship between Elphaba (the future Wicked Witch of the West) and Glinda the Good Witch during their time at Shiz University in the Land of Oz.

What makes Wicked particularly fascinating from a filmmaking perspective is how it takes a story we thought we knew and completely reframes it. The “villain” becomes the hero, and we discover that the history of Oz is far more complex than Dorothy ever realized. This narrative inversion required filmmakers to create a visual language that could stand on its own while maintaining clear connections to the iconic 1939 film.

Visual Storytelling: How Wicked Honors The Wizard of Oz

The Wicked film series faces a unique challenge: how do you create a visually distinct film while maintaining recognizable connections to one of cinema’s most iconic productions? The answer lies in thoughtful cinematography, production design, and strategic use of color.

The Emerald City Reimagined

The Wizard of Oz introduced audiences to the Emerald City as a gleaming, monochromatic green metropolis. Wicked expands on this vision, presenting a more textured and layered interpretation. The filmmakers maintain the signature green palette but add depth through varied shades, lighting techniques, and architectural details that suggest a living, breathing city with its own history and social structure.

For video editors working on fantasy projects, this approach demonstrates how to build on established visual motifs without simply copying them. The key is to identify the core visual elements (in this case, the color green as a symbol of Oz’s power and magic) and then explore how those elements can be expanded and recontextualized.

Color as Character Development

One of the most striking visual elements in both films is the use of color to represent character and emotion. In The Wizard of Oz, the transition from sepia-toned Kansas to technicolor Oz was revolutionary. Wicked takes this concept further by using color to track Elphaba’s emotional journey and social status.

Elphaba’s green skin, which in the original film was simply a characteristic of wickedness, becomes a powerful symbol of otherness and prejudice in Wicked. The film’s color grading choices emphasize this by contrasting Elphaba’s green tones against the warmer, more socially acceptable colors worn by other characters, particularly Glinda’s pink.

Color Grading Lessons from Wicked and Wizard of Oz

For filmmakers and colorists, both films offer masterclasses in how color can drive narrative and emotional impact. Understanding these techniques can elevate your own projects, whether you’re working on fantasy content, music videos, or narrative films.

Establishing Color Palettes for Different Worlds

The Wizard of Oz used a dramatic shift from monochrome to color to signal the transition from reality to fantasy. Wicked employs a more nuanced approach, using different color temperatures and saturation levels to distinguish between various locations and emotional states within Oz itself.

Key Techniques:

  • Temperature shifts: Cooler tones for scenes of political intrigue and conflict, warmer tones for moments of friendship and hope
  • Saturation control: Highly saturated colors in musical numbers and moments of joy, desaturated palettes during dramatic confrontations
  • Contrast management: High contrast in scenes emphasizing the divide between characters, softer contrast in intimate moments

Modern colorists can achieve similar effects using professional 3D LUTs for color grading, which allow precise control over color temperature, saturation, and contrast across your entire project.

Symbolic Color Usage

Both films use color symbolically, but in different ways:

The Wizard of Oz:

  • Yellow brick road: Hope and journey
  • Ruby slippers: Power and home
  • Emerald City: Mystery and ultimate authority
  • Green Witch: Evil and danger

Wicked:

  • Green (Elphaba): Difference, strength, misunderstood power
  • Pink (Glinda): Popularity, superficiality (initially), growth
  • Emerald tones: Political power, corruption, complexity
  • Earth tones: Authenticity, groundedness

The reversal of green from “evil” to “misunderstood hero” required careful color grading to ensure Elphaba’s green skin read as natural and sympathetic rather than threatening. This demonstrates how color context and surrounding palette choices can completely change how audiences perceive a character.

Cinematography Techniques That Bridge Both Films

Beyond color, both films employ specific cinematographic techniques that create visual continuity while allowing for modern storytelling approaches.

Scale and Spectacle

The Wizard of Oz was renowned for its ambitious set design and practical effects. Wicked builds on this legacy with modern VFX capabilities while maintaining a sense of tangible, physical space. The filmmakers use wide shots to establish the scale of Oz, medium shots for character interaction, and close-ups during emotional peaks.

For your own projects, this hierarchy of shot composition helps guide audience attention and emotional investment. When color grading these different shot types, consider how your color choices can reinforce the intended emotional impact of each scale.

Lighting for Fantasy

Fantasy films require lighting that feels both magical and believable. The Wizard of Oz used high-key lighting to create its dreamlike quality. Wicked employs more varied lighting schemes, from the bright, almost theatrical lighting of musical numbers to the more naturalistic (yet still stylized) lighting of dramatic scenes.

The interplay between lighting and color grading is crucial. Even the most sophisticated LUT won’t save poorly lit footage, but when combined with thoughtful lighting, professional color grading tools can transform good footage into cinematic excellence.

Creating Your Own Fantasy Film Aesthetic

The visual journey from The Wizard of Oz to Wicked offers valuable lessons for anyone creating fantasy or musical content. Here are practical takeaways you can apply to your own projects:

1. Establish Clear Color Rules

Define your color palette early and use it consistently. Wicked’s green-pink-emerald triangle creates instant visual understanding of character dynamics and power structures.

2. Use Color Temperature to Guide Emotion

Warm colors invite audiences in; cool colors create distance or tension. Shifting between these temperatures can guide emotional response throughout your narrative.

3. Consider Color History

If you’re working within an established universe (or even just genre conventions), understand the color associations your audience brings with them. You can either honor those associations or deliberately subvert them, but the choice should be intentional.

4. Balance Homage and Innovation

Wicked succeeds because it clearly references The Wizard of Oz while creating its own visual identity. When inspired by other work, identify the core visual elements worth preserving and the areas where you can innovate.

5. Invest in Quality Color Grading Tools

Professional color grading separates amateur projects from cinematic productions. Using high-quality LUTs designed for cinematic looks can help you achieve film-quality color in your own work, whether you’re editing in Premiere Pro, DaVinci Resolve, or Final Cut Pro.

Conclusion

The Wicked film series demonstrates how to honor cinematic legacy while creating something entirely new. By understanding the visual language of The Wizard of Oz and then thoughtfully expanding upon it, the filmmakers created a world that feels both familiar and fresh. The careful use of color, lighting, and composition transforms a simple prequel into a rich, visually complex narrative that stands on its own merits.

For video editors and filmmakers, these films offer endless lessons in visual storytelling. The most important takeaway is this: color isn’t just decoration; it’s a fundamental storytelling tool. Whether you’re working on a fantasy epic or a simple corporate video, thoughtful color grading can elevate your work and enhance your narrative.

Ready to bring cinematic color to your own projects? Explore professional color grading LUTs that work universally across all major editing platforms. With the right tools and inspiration from films like Wicked and The Wizard of Oz, you can create visual magic that captivates your audience.

Frequently Asked Questions

Wicked is a prequel to The Wizard of Oz, telling the backstory of the Wicked Witch of the West (Elphaba) and Glinda the Good Witch. It explores their friendship at Shiz University and reveals how Elphaba became the 'wicked' witch that Dorothy eventually encounters. The story reframes the original narrative by showing that the witch was actually a misunderstood hero fighting against corruption in Oz.
Fantasy films like Wicked use specific color grading techniques including temperature shifts to guide emotion, saturation control to emphasize magical moments, symbolic color assignments for characters and locations, contrast management to separate different narrative tones, and consistent color palettes that help establish the rules of the fantasy world. These techniques help create the otherworldly atmosphere that defines the genre.
The Wizard of Oz used sepia-toned (brownish) footage for the Kansas sequences and technicolor for Oz to create a dramatic visual contrast between Dorothy's mundane reality and the fantastical world of Oz. This transition emphasized that Oz was a place of wonder, magic, and possibility, completely unlike her ordinary farm life. It was also a showcase for the relatively new technicolor process, making the transition even more impactful for 1939 audiences.
Yes, both Premiere Pro and DaVinci Resolve are professional-grade editing software capable of achieving cinematic color grading. DaVinci Resolve is particularly renowned for its color grading capabilities with advanced tools like color wheels, curves, and HDR grading. Premiere Pro also offers robust Lumetri Color tools. Both platforms support 3D LUTs, which allow you to apply professional, cinema-quality color grades to your footage with a single click, then fine-tune from there.
Elphaba's green skin works visually because the filmmakers carefully color graded the surrounding elements to make her green tones feel natural within the world of Oz. Rather than making her skin a bright, artificial green, they used a more nuanced shade that could be complemented or contrasted by lighting and other colors in the frame. The consistent treatment of her green skin across all lighting conditions (using careful color grading) ensures audiences accept it as a natural part of the character rather than a distracting effect.